Monday, February 14, 2011

Be my Valentine Pam Grier

"Do you believe in God?"
"Sure.  Why not?"
"Then you're in the wrong place."

Duke Johnson is in town to bury his brother.  At the funeral he meets Aretha (Pam Grier).  Although he's new in town, she doesn't think to highly of him.  She was a friend of his brother, and is convinced Duke's going to skip town after the funeral.  Those were his exact plans, only he's got to stay in town for two months in order to inherit his brothers bar, Club Alabam.

Of course, there are stipulations.  In order to get that bar back open, he's got to pay the local police for a "city license" which is an extra $450.  They have their fingers in everybody's pie, and besides the one time fee, there will also be an extra $100 every Saturday or they'll close him down.  And if they close him down, he'll never be able to sell the bar and leave.  Duke had no problem paying for the license, but he'll be damned if he's going to be shaken down every week.  His answer to the protection money, one hell of a bar brawl.

So, the bar brawl wins Aretha over.  She pays a visit to Duke, beers in hand.  It's a typical evening.  Beer, anger, slaps, sex.  It's not a Pam Grier movie unless she gets naked once.  And immediately after the sex, the cops show up to shoot the house all to hell.

And that's not all.  It seems his brother, who did officially die of pneumonia, was actually beaten severely and left for dead.  Do you think Fred Williamson is going to stand for that?

Hell no.  He could run.  It's what Aretha wants him to do.  Instead, he gets on the phone and calls his friend Roy.  Roy comes to town with backup, including one Carl Weathers.  Do you really need more backup than Carl Weathers? In a suprising turn, they kill or capture every single crooked cop in a matter of minutes.  The movie isn't even halfway over, and already they've taken down "The Man."

Their reward from the mayor.  They get to be the law in Bucktown. I'd see this as a good thing, but not Pam Grier.  She's convinced Roy and his boys will be worse than the cracker lawmen ever were. 

Despite her rather unimpressive acting in this film, she was right. Roy and his crew shake everyone down even harder than before, drunk with all the new found power and money.  For the most part, they leave Duke alone, but it's only a matter of town before before hell comes to Bucktown.

Bucktown is a film with many merits, especially the midplot twist of the "heroes" being just as corrupt, but it's also got some faults.  Mostly, it's the acting of Pam Grier.  Today should be a love letter to the first lady of blaxsploitation, but I figured it's best to start a week retrospective with her absolute worst performance that I've ever seen.  She's wooden and unbelievable, and I have no idea why.  Did she not like the director?  Did Fred Williamson piss her off?  Who the hell knows, but thankfully, it's a performance she doesn't repeat.

There are better performances to come.




Saturday, February 12, 2011

Omar

I know I know, two days in a row ignoring the months topic.  But this arrived in the mail the other day, and I love it so.

go to www.dennisculver.com to see more.

Friday, February 11, 2011

Howlin' For You

I really didn't want to interupt blaxsploitation month, but this needs to be seen by more people.

Throw Tricia Helfer, Corbin Bernsen, "Sir" Todd Bridges, and The Black Keys into a grindhouse-style "flick" and you have hit every single one of my sweet spots. I don't care if it's a music video or a fake trailer.  I just want more.

Wednesday, February 9, 2011

Just talking about Shaft


Is there a better opening theme song in the history of cinema?

After Sweet Sweetback's Baadasssss Song, Shaft is considered the beginning of the blaxsploitation movement.  Unlike SSBS, Shaft is actually a pretty solid film.

John Shaft is a private investigator hired by gangster Bumpy Jonas to find his kidnapped daughter.  Like Sweetback, Shaft is a bad mother (shutting my mouth), and he's going to do the right thing, despite his strong dislike for Bumpy.  As the case unfolds he finds himself up against first the black gangsters, than the black power movement, and finally, after forming a superteam with the previous two, the Italian gangsters.

Unlike most other films from this genre, Shaft is relatively free of unintentional humor, and the direction from acclaimed photographer Gordon Parks is solid.  Shot on location in New York, it drips with authenticity, from the accents to the 70's color schemes.  And Richard Roundtree build his entire career on this star-making film.  From his badass attitude to his suave style with the ladies, every blaxsploitation leading man did their best to follow his lead.

Perhaps most importantly, from it's meager million dollar budget, it went on to earn over twelve million, proving the genre to be finanicaly feasible to the hollywood bean counters.  And much like today, sequels were quickly lined up.

Tuesday, February 8, 2011

More Dolemite Goodness

These films are going to be hard to find at even your best video store.  Thankfully, there is a sweeeeeet box sex or two out there.



The Human Tornado


Petey Wheatstraw


Disco Godfather


Dolemite Explosion



And just for the hell of it here are some skits from Mad TV